Fleet Street Lane Paean.

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For some reason, The Guardian and The Independent, both out of London, have the best obituaries of American figures in the arts. I suppose looking across an ocean gives them a certain perspective, an ability to see our forest for our trees better than we can. Or maybe their intelligent-sounding British accents really do mean they’re smarter. In any case, The Guardian has now done an obit on crusty, crochety character actor Charles Lane, who died last July. Here it is.


My Bid for a MacArthur Genius Grant.

bial_deborah_small.jpgOn Tuesday, The MacArthur Foundation named this year’s 24 recipients of its so-called “genius grants.” (To its credit, the Foundation doesn’t actually call them “genius grants”; everybody else does.) These are cole_peter_small.jpgno-strings-attached fellowships of $100,000 a year for five years, to allow the 24 lucky stiffs to pursue their muses unfettered by foul economic necessity.

cooper_lisa_small.jpgThere are only 363 shopping days left until next year’s grants are announced, so I don’t think it’s too early to let the fine folksdefries_ruth_small.jpg at the John D. and Catherine T. MacArthur Foundation know that I am here.

Here are the criteria,doretti_mercedes_small.jpg as stated on the edwards_marc_small.jpgMacArthur Foundation’s FAQ page: “The selection decisions focus primarily on exceptional creativity, dybek_stuart_small.jpgas demonstrated through a track record of significant achievement, and manifest promise for important future advances.”

Creativity? elowitz_michael_small.jpggriffith_saul_small.jpgI lovingly hand-create each of these blog posts from scratch, with Old World care. And I have created over 45 of them so far—not counting this one! As for the “promise for important future advances,” who knows what I’ll blog about next? The next post I write could lead the way to a renewable energy source for our children and our children’s children.

haakanson_sven_small.jpgThe FAQ goes on: “Emphasis harris_corey_small.jpgis placed on nomineeshayashi_cheryl_small.jpg for whom our support would relieve limitations that inhibit them from pursuing their most innovative ideas.”

Since I have created 45 blog posts so far (not counting this one!) absent the slightest promisehuynh_my_hang_small.jpg of financial remuneration, the mind reels (doesn’t it? mine does) at what I could accomplish kremen_claire_small.jpgwith half a million dollars’ worth of inspiration.

But it’s obvious that the MacArthur folks can’t pick youlovell_whitfield_small.jpg if they don’t know you’re there. matsuoka_yoky_small.jpgI’m not accusing this year’s 24 winners of rank self-promotion—but they had to do something to get noticed!nottage_lynn_small.jpg

Well, one thing I figure is that the MacArthur Foundation has someone on the payroll rothemund_paul_small.jpgwho’s constantly Googling the words “MacArthur Foundation” to see what turns up. With five mentions of “MacArthur Foundation” in this post so far (not counting this one!), roth_mark_small.jpgI figure I stand rubenstein_jay_small.jpga pretty good chance of turning up in the search.shay_jonathan_small.jpg

And I’ve heard that linking to sites is a good way for those sites, in turn, to find you. But upshaw_dawn_small.jpgI’m going further than that, MacArthur Foundation. I’m adding you to my blogroll!wei_shen_small.jpg

It doesn’t take a genius to play this game. But it helps. (Hint, hint.)


“Take the Cookie”: I Meet the Sinatra Family.

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Peggy Lee died January 21, 2002. In February of that year, I was privileged (through the good graces of David Torresen, who runs peggylee.com and the Songbirds mailing list) to be invited to attend her memorial at the Riviera Country Club in Pacific Palisades, CA. That morning, I drove by songwriter Lew Spence’s smimis_26.jpghouse to pick him up. (Lew wrote the Frank Sinatra hit “Nice n Easy,” which Peggy also recorded; along with another song Peggy made a wonderful record of, in the early fifties, “That’s Him Over There”; plus “Sleep Warm,” the Fred Astaire hit “That Face,” “I’ve Never Left Your Arms,” and many other good songs). When we arrived at the club and took our seats in the rows of chairs set up for the memorial, I recognized many luminaries. Steve Lawrence. Andy Williams in the row directly behind us. k.d. lang. Arranger Billy May. The lyricists Marilyn and Alan Bergman. Following the two-hour secular service,peggy-cropped.jpg which contained speeches by several who knew Peggy and worked with her, as well as a video montage, a buffet lunch was served in one of the club’s ballrooms.

When Lew and I entered the luncheon ballroom, many had already chosen their spots at the round, unplacecarded tables of eight. I scanned the room for one that still had two empty seats. There weren’t many; and because Lew walks with a cane and I didn’t want to leave his side, I knew I’d be wise to locate a table with more than two vacancies, to increase the chances there’d still be two by the time we got there.

I spotted such a table, way on the other end of the room. It was only half-occupied.

I didn’t notice who the four people already sitting at the table were, because my eyes were fixed on those remaining seats. I had one goal, which was that Lew and I get across the room and claim two of them before they were gone.

We made it. My eyes still focused on the empty chairs, I attended to Lew, pulling out a chair for him, making sure he got into it comfortably. Only then did I look up to see the tablemates that we had joined.

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Nancy Barbato Sinatra, the first and forever Mrs. Frank Sinatra.

Nancy’s older daughter, pop icon Nancy Sinatra.

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Nancy Sr.’s younger daughter, author and producer Tina Sinatra.

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And family friend, singer Jack Jones.nancysinatrajackjones.jpg

I was lunching with 3/4ths of the surviving Frank Sinatra family. (Only Frank Jr. was missing.)

There are words to describe the vertiginous mix of abject awe and stunned disbelief (and, frankly, terror) that I experienced in that moment of realization, but I don’t know them. Suffice it to say that “flustered” doesn’t cut the mustard. I know these women put their pantyhose on one leg at a time, but come on. To say I had worshiped them all from afar might not be an overstatement. I worshiped them because if Frank Sinatra was my musical Zeus (and he was, and still is), then Nancy Sinatra Sr. is Hera, and Nancy Jr. and Tina are–OK, I’m getting confused. Let’s forget the particulars of Who’s Who in Greek Mythology, and leave it that if I ever wanted to reach any of these people, I would start by dialing 1-800-MT-OLYMPUS.

(Where does this adoration come from? All I know is, I love many singers, but Sinatra is the one I turn to most in my Hour of Need. Whether the need is to swing or feel sad. And he always has been, since I was eleven. Kind of weird, maybe, for a kid that age in 1961 to start collecting Sinatra instead of Dion, but there you go. He does have mythic status for me, there’s no way around that–as he does for a lot of people, as he once did for our entire culture.)

So, what do you say to a trio of goddesses greek_godesses.jpgwho have descended from on high to share a meal with mortals? These women who, in the years since 1998 when Sinatra died, are the closest thing to meeting Sinatra that any of us can ever have?

You walk around the table (and luckily, I shifted out of deer-in-the-headlights mode fairly quickly in mortal-person time), extend your hand to Mrs. Sinatra (who looked fantastic, by the way), and say, in all sincerity, because you really do mean it with every humble fiber of your being, “Mrs. Sinatra, it is an honor to meet you.”

And she smiles, warmly, and you know—to your own surprise!–that she actually is gratified, and not just pretending to be.

This is the woman whom Frank Sinatra married in 1939. Who gave him all his children. The woman whose home, word has it, he returned to time and again through the years.

nancy-winsome.jpgAnd then, you turn to Nancy the Daughter, and realize, thank God, that you actually do have something to say to her beyond “Oh my God, you’re Nancy Sinatra!,” which is to introduce her to Lew Spence, whom you have a hunch she has not met, a hunch which turns out to be right. “Nancy,” I said, “I want to introduce you to Lew Spence, who wrote ‘Nice n Easy’.” She is glad to meet him, smiles and says, “You know, I recorded that song, too.”

And then, you count your blessings that only a couple months ago you read Tina Sinatra’s memoir about her father tina-book.jpg(My Father’s Daughter: A Memoir), because this gives you something to say to Tina beyond “Hi, nice to meet you.” Further, you are grateful that it was a book you actually did admire, and found to be a valuable addition to the Sinatra literature, because this allows you in all sincerity to say, “I really enjoyed your book about your father,” and so you say that, and she seems gratified.

Now, Lew and I had not had the buffet yet, although the Sinatras had; a plate of cookies sat before Mrs. Sinatra. I was figuring to have a little chicken or whatever, so when Mrs. Sinatra held up the cookies and urged me to take one, I did something stupid. I hesitated. (I guess those years of “no dessert until you’ve eaten your supper” as a kid really took hold.) I politely said, “Oh no, no thank you.”

Nancy Sinatra said, “Take the cookie.”

I took the cookie.

Freud is famously thought to have said, “Sometimes a cigar is just a cigar.” A cookie from a Sinatra, however, is something else. Why hadn’t I seen that? What an idiot! What a nincompoop! What a macaroon!

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That cookie wasn’t just a cookie. It was an offering, a dispensation, a Temporary Guest Pass good for permit1.jpglimited access to the outer portions of Sinatraland.

A cookie with layers of meaning.

And it was good.

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The Anti-Britney.

A different kind of singer, in a different kind of televised display. Rosemary Clooney, with the Hi-Lo’s, singing what is certainly a definitive, and quite possibly the definitive, version of Harold Arlen and Johnny Mercer’s “Blues in the Night,” arrangement by Nelson Riddle. From her weekly TV show in the fifties. The command and control are awe-inspiring. If you’re not overwhelmed at first, keep watching. You will be.

The wonder of Clooney is the way the sound of her voice–the very sound, as if she can sing no other way–at once conveys humor and melancholy. Even in her happiest, most swinging rendition there is a slight catch in the throat that portends the possibility of sadness; even at her bitterest there is an ironic intelligence in the soundwave that bespeaks a sense of humor that will somehow get her through. Other singers might give you both sides of destiny’s coin at one time or another, but rarely at the same time, and not in each and every note. The result of this vocal bipolarity isn’t confusion, but a communication of something like the full range of life’s possibilities.


Hubba Bubble.

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I’ve got a fever for Esther Williams, and the only cure is…more Esther Williams.

I just watched the DVD of Bathing Beauty, the first movie in which swimming phenom Esther Williams starred. I’m in love. It’s a silly film, but a very amiably silly one; and it has its comedic and musical moments. In the former category, Red Skelton has one bit of physical comedy that astounded me, and one line that made me guffaw. In the latter category, you’ve got Harry James and his Music Makers with Helen Forrest, and the Xavier Cugat band. A lot of the music (even some of the stuff Harry James plays in the film) is Latin; it was 1944, when FDR’s “Good Neighbor Policy” was working to improve relations with our neighbors to the south (we didn’t want Hitler and Hirohito getting their grubby Axis hands on them), and movie studios did their part.

But of course, the reason to see the movie is Esther Williams. She’s a goddess.estherwilliams2.jpg Or maybe proof that there is a God. She certainly is as close to a Platonic ideal of athletic perfection as has ever made me pound the floor and cause the eyes to bug out of my head. In the TCM Private Screenings with Esther Williams which is an extra on this DVD, Williams tells Robert Osborne that even though she considered herself a capable actress in her later films, she’s embarrassed by her acting williams_esther21.jpgin this, her first starring film. But I beg to differ. She’s very appealing. In fact, I found myself marveling at her performance in the same way I marvel at Doris Day in her first film, Romance on the High Seas. Doris is the better actress, but both are astonishingly good considering their complete or nearly complete lack of prior acting experience. (MGM does keep Williams’ screen time limited in the middle of the film, and maybe this was done so as not to overtax her in the acting department, but she’s capable of doing whatever the film asks her to do, and winningly.) And then, of course, come the spectacular last six minutes, which contain the aquacade everyone has been waiting for.

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I’ve been waiting a long time to see, in context, the Esther Williams sequences that I saw excerpted in the That’s Entertainment films of the seventies; in Bathing Beauty, I recognized several moments from those films. The finale in Bathing Beauty, choreographed by John Murray Anderson, has to be one of her greatest sequences; hell, it has to be one of the most spectacular sequences in the history of film. Dig how the synchronized swimming works not just with balletic music (which we’re used to), but with the swing of Harry James. You really need to see this in the splendor of your “media room” on the splendor of your big honking TV set, but if you think I’m lying, you can taste it right here:

The film also has one of the great, funny, exhilarating romantic-comedy endings (as in, the last 20 seconds–not in the above clip) when boy (Skelton) finally gets goddess. It’s the kind of ending that Hollywood once did well and then forgot how to do after Some Like It Hot.

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To say I’m looking forward now to seeing the aqua-sequences in the other Williams DVDs that are (and will become) available is an epic understatement. This disc is part of a new release, Esther Williams Vol. 1, 51dne1trbfl_ss500_.jpgfrom Warner/TCM, and I feel safe in saying that the four other films in it will be well worth watching. But I recommend this particular disc (which is rentable on its own from Netflix) for another reason, which is that it (unlike the others) has that Private Screenings interview. I learned a lot about Esther Williams from watching it, things I’d been curious about (such as exactly how she went from national champion and Olympic hopeful to movie star–it’s a fascinating story). She comes off as very smart, and very self-possessed. The interview was taped in 1996 and she looks great. I menu-bathing-beautypdvd_004.jpgknow she’s still alive; I hope she’s still doing swimmingly.